A common affair
“A specter is haunting Europe” is how Marx opens the Communist Manifesto, drawing on the symbolic power of Shakespeare’s form. In Hamlet, more specifically, the ghost of the dead father is not exactly a harbinger of tragedy; it has the dimension of an unfulfilled duty with a need for righteousness. Marx used this symbolic weight to transfer this inner anxiety to the political arena, the specter of revolution that haunted the continent. The specter, as it was portrayed, was not a factor of terror – well, for some it was – but the symptom of a historical absence that demanded presence. Two centuries have passed since then, and another specter haunts us, not class-based but existential – it is not to be found in factories but above private living rooms, the specter of loneliness, diffuse and politically complicating. Europe is not haunted only by the revolution that did not come; it is haunted by proximity, which a democratic pluralism of citizen participation has led to frustration and social disintegration.
The theme of loneliness has inspired many artists, perhaps reaching its peak during the COVID quarantine, when Edward Hopper’s works became particularly relevant and popular, especially when one considers that in his world, loneliness is not a matter of “decline” but rather a natural state. The same cannot be said for the European phenomenon of loneliness, the once “private” issue has become public, an almost political plague, with governments measuring it like unemployment – with ministries and countermeasures such as “social prescribing,” the response itself testifying that the problem arises as a symptom of social dysfunction at the structural level and not at the atomic level.
Data from the European Research Center show that more than one-third of EU citizens feel isolated at least some of the time, while one in eight experiences chronic isolation. Looking at the qualitative characteristics of these figures, a pattern emerges: young people are more vulnerable, those who are financially insecure, and those who live alone experience greater intensity – a deeply political point – while it is emphasized that the more connected our societies have become through digitalization, the more fragile social bonds and trust have become. The pandemic itself, which seems far behind us now, created this contradiction; although it was a product of necessity, it created hyper-communication that essentially hid emotional distance.
