{"id":87430,"date":"2026-03-10T10:02:26","date_gmt":"2026-03-10T10:02:26","guid":{"rendered":"https:\/\/www.pulse-z.eu\/spotify-in-love-with-ai-promotes-playlists-for-passive-listening-whats-behind-it\/"},"modified":"2026-03-10T10:03:19","modified_gmt":"2026-03-10T10:03:19","slug":"spotify-zakochany-w-sztucznej-inteligencji-promuje-playlisty-do-pasywnego-sluchania-co-za-tym-stoi","status":"publish","type":"post","link":"https:\/\/www.pulse-z.eu\/pl\/spotify-zakochany-w-sztucznej-inteligencji-promuje-playlisty-do-pasywnego-sluchania-co-za-tym-stoi\/","title":{"rendered":"Spotify \u201ezakochany\u201d w sztucznej inteligencji, promuje playlisty do pasywnego s\u0142uchania. Co za tym stoi?"},"content":{"rendered":"\n<p><span style=\"font-weight: 400;\">You\u2019re listening to music on Spotify. You\u2019re in a 1970s mood and come across a playlist titled <\/span><em><span style=\"font-weight: 400;\">Classic Rock Anthems 60s &amp; 70s<\/span><\/em><span style=\"font-weight: 400;\">. You hit play. One iconic track follows another: <em>The Rolling Stones, Pink Floyd, The Beatles, Bob Dylan<\/em>. Then suddenly, between these giants of music, a new song appears. You\u2019ve never heard it before, but it sounds like a cross between Neil Young and the Eagles. A fusion of <strong>psychedelic \u201970s textures, cinematic alt-pop and analog soul<\/strong>. That\u2019s the sound of <\/span><em><span style=\"font-weight: 400;\">The Velvet Sundown<\/span><\/em><span style=\"font-weight: 400;\">. More than one hundred thousand monthly listeners, and their most streamed songs have racked up millions of plays.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Dust on the Wind\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eQJ9IWoclhk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Rivers Run Free\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/5xxadmRJP2w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">There\u2019s just one detail:<strong><em> The Velvet Sundown<\/em> don\u2019t exist<\/strong>. Every track, just like the band\u2019s photos, was generated by artificial intelligence.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Imagine you\u2019re in the mood for some good jazz. You start a playlist hoping that sooner or later you\u2019ll hear <em>Louis Armstrong<\/em> or <em>John Coltrane<\/em>. Maybe something more introspective like <em>Bill Evans<\/em> or <em>Miles Davis<\/em>. Instead, you end up listening to Hara Noda.<\/span><\/p>\n<p><strong>But who is <em><a href=\"https:\/\/open.spotify.com\/intl-it\/artist\/6ezFSYpcIHmJfQ0ZrGQmyh\" target=\"_blank\" rel=\"noopener\">Hara Noda<\/a><\/em>?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">What\u2019s striking is that this artist\u2019s tracks also have millions of streams. A surprising fact, especially when you discover that Hara Noda is another \u201cghost musician\u201d. Is it really possible that an entirely AI-generated artist could reach such a large audience simply by appearing in a background jazz playlist?<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Her\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/n4xbTOUmato?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"1982\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/R-gH3bExpQc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Hara Noda appears to be a real person working in Sweden, the same country where Spotify is headquartered. Coincidence? Perhaps not. <\/span><a href=\"https:\/\/musically.com\/2017\/07\/11\/spotify-fake-artists-traced-back-swedish-producers\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">The number of fake artists whose music originates in Sweden is remarkable<\/span><\/a><span style=\"font-weight: 400;\">. So what exactly is going on?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The root of the problem lies in the increasingly passive nature of music consumption.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">People often ask <\/span><i><span style=\"font-weight: 400;\">Alexa<\/span><\/i><span style=\"font-weight: 400;\"> or other digital assistants to play background music for a specific activity: studying, working out, doing housework, relaxing. Others simply rely on curated playlists designed for those purposes. In both cases, listeners rarely pay attention to the artists or song titles. And that creates opportunities for abuse.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What\u2019s even more surprising is how limited the media coverage of this phenomenon has been.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fortunately, journalist Liz Pelly <\/span><a href=\"https:\/\/harpers.org\/archive\/2025\/01\/the-ghosts-in-the-machine-liz-pelly-spotify-musicians\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">conducted<\/span><\/a><span style=\"font-weight: 400;\"> an extensive investigation and published her findings in <\/span><i><span style=\"font-weight: 400;\">Harper\u2019s Magazine<\/span><\/i><span style=\"font-weight: 400;\">. Pelly began by knocking on the doors of these mysterious viral artists in Sweden. Unsurprisingly, nobody wanted to talk about them. At least not at first.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She spent a year digging into the story, persuading former employees to reveal what they knew and gaining access to internal documents. Slowly, the pieces began to fall into place.<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">What I discovered was an elaborate internal program. Spotify, I found, not only has partnerships with a network of production companies that, as one former employee put it, provide Spotify with \u2018music that we financially benefit from,\u2019 but also a group of employees whose job is to place these tracks into the platform\u2019s playlists. In doing so, they\u2019re effectively working to increase the share of total streams coming from music that is cheaper for the platform<\/span><\/em><span style=\"font-weight: 400;\"><em>\u201d<\/em>, Pelly wrote in her Harper\u2019s Magazine piece.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In other words, Spotify has entered into a quiet conflict with musicians and record labels.<\/span><\/p>\n<p><a href=\"https:\/\/harpers.org\/archive\/2025\/01\/the-ghosts-in-the-machine-liz-pelly-spotify-musicians\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">According to Pelly\u2019s sources<\/span><\/a><span style=\"font-weight: 400;\">, the program is known internally as \u201c<strong>Perfect Fit Content<\/strong>\u201d (PFC). Musicians who provide PFC tracks must relinquish control over certain royalties that could become highly lucrative if a song becomes popular.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Spotify appears to have targeted genres particularly suited to passive listening. It identified contexts in which listeners use playlists mainly as background music. That\u2019s why the issue of fake artists first became noticeable in jazz playlists.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">According to Pelly, the core PFC genres were ambient, classical, electronic and jazz.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When some employees raised concerns, Spotify executives reportedly responded that listeners \u201c<em><strong>wouldn\u2019t notice the difference<\/strong><\/em>\u201d.<\/span><\/p>\n<h2><b>From payola to AI: artistic hoax or marketing strategy?<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">In the 1950s it was called <\/span><em><span style=\"font-weight: 400;\">payola<\/span><\/em><span style=\"font-weight: 400;\">. The public discovered that radio DJs were choosing songs based on bribes rather than musical merit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Today, transactions are handled more discreetly and apparently within the boundaries of the law. No one hands Spotify executives envelopes stuffed with cash. But one thing is certain: neither do artists like Taylor Swift benefit when streaming platforms optimize their systems for cheaper music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And what about<strong> music journalism<\/strong>?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Most of these revelations come from a freelance journalist publishing in <\/span><em><span style=\"font-weight: 400;\">Harper\u2019s<\/span><\/em><span style=\"font-weight: 400;\">. Not from <\/span><em><span style=\"font-weight: 400;\">Billboard<\/span><\/em><span style=\"font-weight: 400;\"> or <\/span><em><span style=\"font-weight: 400;\">Variety<\/span><\/em><span style=\"font-weight: 400;\">. The same could be said for major newspapers like <\/span><em><span style=\"font-weight: 400;\">The New York Times<\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"font-weight: 400;\">The Wall Street Journal<\/span><\/em><span style=\"font-weight: 400;\"> or <\/span><em><span style=\"font-weight: 400;\">The Washington Post<\/span><\/em><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fortunately, another important <\/span><a href=\"https:\/\/www.ft.com\/content\/5c17a026-f8cf-4131-8ecc-091cac43bef2\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">investigation recently<\/span><\/a><span style=\"font-weight: 400;\"> came from the <\/span><em><span style=\"font-weight: 400;\">Financial Times<\/span><\/em><span style=\"font-weight: 400;\"> in the form of a podcast series examining the impact of artificial intelligence on the music industry.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The picture that emerges is far from reassuring.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On <em>Deezer<\/em>, another major streaming platform with <\/span><a href=\"https:\/\/www.linkiesta.it\/2025\/09\/intelligenza-artificiale-musica-spotify\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">nearly twenty million active users in 2024<\/span><\/a><span style=\"font-weight: 400;\">, roughly 18 percent of daily uploads are AI-generated tracks. This flood of algorithmically generated music does not come only from specialized AI music companies or professional labels. In fact, most of it originates from platforms that rely on commercial music-generation models accessible to anyone, either for free or through paid subscriptions that promise better results.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Among the most well-known are <\/span><em><span style=\"font-weight: 400;\">Suno, Udio, MusicGen <\/span><\/em><span style=\"font-weight: 400;\">and<\/span><em><span style=\"font-weight: 400;\"> Boomy<\/span><\/em><span style=\"font-weight: 400;\">. The latter proudly claims on its website that \u201cBoomy artists have created 21.6 million original songs.\u201d Many of these tracks have ended up on Spotify, which says it has <\/span><a href=\"https:\/\/www.rollingstone.it\/musica\/news-musica\/spotify-ha-eliminato-75-milioni-di-canzoni-composte-con-lia\/1005829\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">removed more than 75 million tracks deemed \u201cspam\u201d<\/span><\/a><span style=\"font-weight: 400;\"> from the platform over the past 12 months.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">According to the <\/span><i><span style=\"font-weight: 400;\">Financial Times<\/span><\/i><span style=\"font-weight: 400;\"> investigation, Spotify does not label or remove AI-generated music unless it clearly violates the platform\u2019s terms and conditions, such as in cases of explicit plagiarism or identity theft involving real musicians.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Identity theft, incidentally, is another issue worth mentioning.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In April 2023 a song titled \u201c<\/span><em><a href=\"https:\/\/youtu.be\/rQssjhX31Z0?si=ttkx2a_xJacSLbYJ\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Heart on My Sleeve<\/span><\/a><\/em><i><span style=\"font-weight: 400;\">\u201d<\/span><\/i> <a href=\"https:\/\/www.npr.org\/2023\/04\/21\/1171032649\/ai-music-heart-on-my-sleeve-drake-the-weeknd\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">went viral<\/span><\/a><span style=\"font-weight: 400;\"> online. In the track, rapper Drake appears to duet with The Weeknd. The song spread rapidly across the internet before it became clear that it was entirely fake: both voices had been cloned and inserted into an AI-generated track by a TikTok user known as Ghostwriter977.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">Financial Times<\/span><\/i><span style=\"font-weight: 400;\"> podcast highlights the growing concerns among musicians and composers, who suddenly find themselves competing with the relentless output of algorithms. They are forced to fight for attention in a market flooded with songs generated at industrial scale.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AI-generated tracks don\u2019t just saturate the market, making it even harder for real musicians to stand out. The technology also relies on existing music as its raw material. Often protected by copyright, these songs become part of the datasets used to train AI systems.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In other words, musicians\u2019 work is used without their knowledge, without their consent, and without compensation.<\/span><\/p>\n<h2><b>Music without musicians: &#8220;<em>AI, or not to AI, that is the question<\/em>&#8220;<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Some people are pushing back against this kind of digital exploitation. One of them is Ed Newton-Rex, founder of <\/span><a href=\"https:\/\/www.fairlytrained.org\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Fairly Trained<\/span><\/i><\/a><span style=\"font-weight: 400;\">, a nonprofit organization advocating for musicians\u2019 copyright rights.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But the greatest damage may be the one inflicted directly on artists themselves. Their songs are absorbed by algorithms, blended together with countless others, digested and then released back into the world as supposedly \u201coriginal\u201d compositions. These tracks are then assigned to an equally artificial artist, complete with a generated face and biography.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Once the \u201cart\u201d and the \u201cartist\u201d have been created from scratch, the song is uploaded to a streaming platform.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Spotify? What does it have to say about all this?<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Spotify is now stepping back, and its decision could influence the entire music-streaming industry. The platform has not banned AI-generated music itself, nor does it intend to do so. Instead, it requires anyone using the platform to release music to hold the rights to the material they upload and not impersonate other artists.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This balanced approach could become a standard for other platforms, creating a broader framework that protects both innovation and artistic integrity. Unlike other tech giants such as YouTube, Meta and TikTok, Spotify had so far avoided adopting systematic measures to label AI-generated content, but the new announcement marks a significant shift.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Implementing these policies presents considerable technical challenges. How can an algorithm distinguish between creative uses of AI and manipulative ones? Where should the boundary be drawn between inspiration and imitation in the age of artificial intelligence?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The grey area lies in AI-generated music that takes inspiration from an artist without directly copying their style. While direct imitation is clearly prohibited, the boundary becomes blurred when it comes to stylistic influence, a territory that has always been central to the evolution of music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Spotify\u2019s initiative represents an attempt to guide the music industry toward a more responsible use of artificial intelligence. <em>\u201cWe believe that strong safeguards against the worst aspects of AI are essential in order to unlock its potential for artists and creators,\u201d<\/em> the company said in a <\/span><a href=\"https:\/\/newsroom.spotify.com\/2025-09-25\/spotify-strengthens-ai-protections\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">press release<\/span><\/a><span style=\"font-weight: 400;\">, describing a future <em>\u201cwhere artists and creators can decide how to integrate AI into their creative process&#8221;.<\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">This approach suggests a future in which AI will be neither demonized nor completely deregulated, but integrated into an ethical framework that preserves the value of human artistic work. The challenge will be maintaining that balance as the technology continues to evolve at an increasingly rapid pace.<\/span><\/p>\n<h2><b>\u201c<em>AI AI<\/em>\u201d: Dargen D\u2019Amico on the risks of Artificial Intelligence<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Fortunately, some musicians themselves are beginning to question the increasingly ambiguous role of AI in music. Italian rapper and songwriter <\/span><a href=\"https:\/\/open.spotify.com\/intl-it\/artist\/7muPB2GhV0sEg2K1Fgj0Xm\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Dargen D\u2019Amico<\/span><\/a><span style=\"font-weight: 400;\"> recently <\/span><a href=\"https:\/\/open.spotify.com\/intl-it\/track\/5NON0GOPoWxkTK6Hi4JDZi?si=f6c0e5ba73fc46e0\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">released a track<\/span><\/a><span style=\"font-weight: 400;\"> titled &#8220;<\/span><em><span style=\"font-weight: 400;\">AI AI<\/span><\/em><i><span style=\"font-weight: 400;\">&#8220;<\/span><\/i><span style=\"font-weight: 400;\">. In the song, while maintaining the irony that has always defined his style, he reflects on how artificial intelligence is reshaping our understanding of the present. In an <\/span><a href=\"https:\/\/www.raiplay.it\/video\/2026\/01\/Festival-di-Sanremo-2026---L-intervista-a-Dargen-D-Amico-7d0b7363-64ef-4592-9723-1d146f9ccf75.html\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">interview<\/span><\/a><span style=\"font-weight: 400;\"> for RaiPlay he explained:<\/span><\/p>\n<blockquote>\n<p><i><span style=\"font-weight: 400;\">\u201cThe idea for the song came from the fact that in Italy people talk far too little about artificial intelligence. Yet it\u2019s coming, and it\u2019s forcing us to confront questions that are becoming increasingly urgent.<\/span><\/i><span style=\"font-weight: 400;\">\u201d<\/span><\/p>\n<\/blockquote>\n<p><span style=\"font-weight: 400;\">The title &#8220;<\/span><em><span style=\"font-weight: 400;\">AI AI<\/span><\/em><i><span style=\"font-weight: 400;\">&#8220;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0plays on a double meaning. It refers both to the acronym for artificial intelligence and to the familiar exclamation of pain. And frankly, it\u2019s hard to think of a better expression to describe everything we\u2019ve just been talking about.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The singer-songwriter explained in an<\/span><a href=\"https:\/\/www.cosmopolitan.com\/it\/lifestyle\/musica\/a70449938\/dargen-damico-sanremo-2026-ai-ai\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\"> interview with <\/span><em><span style=\"font-weight: 400;\">Cosmopolitan<\/span><\/em><\/a><span style=\"font-weight: 400;\"> what ultimately convinced him to complete the song, whose chorus had originally been written two years earlier:<\/span><\/p>\n<blockquote>\n<p><i><span style=\"font-weight: 400;\">\u201cI saw advertisements for toys powered by ChatGPT that could put children at risk in several ways, and hackers could potentially interfere with the way they play.\u201d<\/span><\/i><\/p>\n<\/blockquote>\n<p><span style=\"font-weight: 400;\">Risks that often go unnoticed:<\/span><\/p>\n<blockquote>\n<p><i><span style=\"font-weight: 400;\">\u201cI spoke with specialists, people working on artificial intelligence in Italy and beyond, and together we tried to outline three main themes: the future of entertainment, the relationship between humans and machines, and the technological developments that are just around the corner. Finally, we looked at healthcare, to understand whether artificial intelligence could truly make it more democratic, because today we still live in a world where some people can access treatment while others cannot.<\/span><\/i><i><span style=\"font-weight: 400;\">\u201d<\/span><\/i><\/p>\n<\/blockquote>\n<p>Dargen D\u2019Amico urges us to consider the future of music: as algorithms and artificial intelligence increasingly shape what we hear, who will truly have a voice? What does this mean for us as artists, <strong>as individuals<\/strong>? His song serves both as a warning and as a prompt to become more aware.<\/p>\n<p><iframe loading=\"lazy\" title=\"Dargen D&#039;Amico - AI AI (Official Video - Sanremo 2026)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GtKxAcfWHa8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>You\u2019re listening to music on Spotify. You\u2019re in a 1970s mood and come across a playlist titled Classic Rock Anthems 60s &amp; 70s. You hit play. One iconic track follows another: The Rolling Stones, Pink [&hellip;]<\/p>\n","protected":false},"author":565,"featured_media":87212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[710],"tags":[1816,23787,25746,25747,11261,25748],"post_formats":[655],"coauthors":[8294],"class_list":["post-87430","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technologia","tag-ai-pl","tag-ai-music","tag-dargen-damico","tag-deezer","tag-music-industry-pl","tag-spotify","post_formats-artykuly"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/posts\/87430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/users\/565"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/comments?post=87430"}],"version-history":[{"count":2,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/posts\/87430\/revisions"}],"predecessor-version":[{"id":87432,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/posts\/87430\/revisions\/87432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/media\/87212"}],"wp:attachment":[{"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/media?parent=87430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/categories?post=87430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/tags?post=87430"},{"taxonomy":"post_formats","embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/post_formats?post=87430"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.pulse-z.eu\/pl\/wp-json\/wp\/v2\/coauthors?post=87430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}